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B.C.含羞草研究社檚 Atom Egoyan intertwines opera, film in deeply personal 含羞草研究社楽even Veils含羞草研究社

Director含羞草研究社檚 latest being screened at the 30th Victoria Film Festival
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Amanda Seyfried stars in Atom Egoyan含羞草研究社檚 含羞草研究社淪even Veils含羞草研究社, the opening film for the Victoria Film Festival. (Amanda Matlovich)

The Victoria Film Festival is set to mark its 30th anniversary with a theatrical opening night featuring acclaimed director Atom Egoyan含羞草研究社檚 latest masterpiece, 含羞草研究社淪even Veils.含羞草研究社

Set against the backdrop of Richard Strauss含羞草研究社 opera 含羞草研究社淪alome含羞草研究社, the film unfolds an emotional exploration of trauma, power dynamics and the complexity of relationships. In the film, the opera含羞草研究社檚 director Jeanine (Amanda Seyfried) is thrust into the daunting task of remounting her recently deceased mentor and ex-lover含羞草研究社檚 infamous, sexually-charged production. The opera含羞草研究社檚 familial themes of loss and unsettling power dynamics resurface trauma from her past, unravelling the threads of young Jeanine含羞草研究社檚 life.

What makes this screening particularly special is Egoyan含羞草研究社檚 personal connection to Victoria, where he was raised (his first published review ever was in Monday Magazine).

The Cairo-born director explained the story is 含羞草研究社渆ntirely rooted in Victoria.含羞草研究社 It delves into a deeply personal narrative inspired by Egoyan含羞草研究社檚 adolescent experiences and his first love, who he later discovered was a victim of abuse by her father.

含羞草研究社淚t含羞草研究社檚 going to be really emotional to bring it back to Victoria,含羞草研究社 he told Monday Mag.

Egoyan also has a deep connection to the opera 含羞草研究社淪alome含羞草研究社, the first opera he ever directed in 1996.

The film含羞草研究社檚 inception arose during the opera含羞草研究社檚 seventh remount.

含羞草研究社淸Seven Veils] has been brewing for a while, there are hints in it in some of the other films I含羞草研究社檝e done, but it really came to fruition when I found out that we were going to do this remount of the opera. At that point I started thinking, wouldn含羞草研究社檛 it be great if I could actually shoot something like a drama about the people who were putting the opera on? Also wouldn含羞草研究社檛 it be great if I could deal with this issue of retelling the story, but find a different perspective and also talk about a lot of the issues I was seeing around me: people appropriating stories, people behaving badly in the artistic setting.含羞草研究社

含羞草研究社淚 think when people see films, they want to enter into worlds they haven含羞草研究社檛 seen before. I hadn含羞草研究社檛 seen this world represented before, around the production of an opera but also the politics and all the aspirations of people having different dreams and fantasies,含羞草研究社 he said.

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Director Atom Egoyan produced Salome for the Canadian Opera Company (COC) and Vancouver Opera in 1996 and 1997. His latest film 含羞草研究社淪even Veils含羞草研究社 tells a layered narrative of a fictional remount of the opera. (Ulysse del Drago)

Power dynamics in relationships feature heavily in the film, which goes back to the main story of Salome herself, Egoyan said. For those unfamiliar with the story, Salome, daughter of Herodias, becomes increasingly subjected to inappropriate advances by her step-father King Herod all while falling into an obsessional love with John the Baptist. It builds to an uneasy climax, where she agrees to dance for Herod in return for the John the Baptist含羞草研究社檚 head on a platter.

Egoyan wrestled with the question of why Salome committed this incredibly violent act. He offers a new interpretation through Jeanine含羞草研究社檚 journey to address her trauma through the opera.

含羞草研究社淛eanine really feels that that含羞草研究社檚 her responsibility to herself is to reclaim that story and to make it hers,含羞草研究社 he said.

含羞草研究社淔rom the very beginning, when we first put it on, I wasn含羞草研究社檛 just playing her [Salome] as a femme fatale, as most productions tend to do that. I tried to investigate what was in her background that created this extreme request she makes and I felt that there were other layers to that. I couldn含羞草研究社檛 rewrite the opera obviously but I felt that through this script I could go further. It was just a very unusual opportunity to retell the story.含羞草研究社

Egoyan praised Seyfried含羞草研究社, whom he had previously worked with on 含羞草研究社淐hloe含羞草研究社, and saw her as the perfect fit to bring the character to life alongside real-life opera singers, a decision he describes as a 含羞草研究社渞isk含羞草研究社 but an interesting way to tell the story.

Attending the opening night at the Victoria Film Festival will be a chance for Egoyan to share with the audience his story behind creating the film.

Egoyan said that while there are more film festivals now than in past decades, they remain important places to showcase work and have a dialogue with the audience.

含羞草研究社淚 wouldn含羞草研究社檛 be where I am without festivals,含羞草研究社 he said. 含羞草研究社淵ou really learn what plays and what doesn含羞草研究社檛 play and that含羞草研究社檚 a great privilege.含羞草研究社

Following Victoria, the film will make its international premiere at the Berlin Festival, where the opera first premiered. 含羞草研究社淚含羞草研究社檓 dying to see how it plays out in Berlin, the opera capital of the world,含羞草研究社 Egoyan said.

The opening night of the Victoria Film Festival will be tropical-themed.

Other highlights of the fest include a family-friendly screening of Ernest and Celestine: A Trip to Gibberitia where PJs are encouraged on Feb. 11.

Eric McCormack, star of NBC含羞草研究社檚 Will & Grace, will be at the Vic Theatre on Feb. 3 to share insights into his career and top local short films will be airing at Blue Bridge Theatre on Feb. 10.

And of course, for those looking to explore the world of opera, politics, aspirations, dreams, and fantasies, 含羞草研究社淪even Veils含羞草研究社 promises a cinematic experience like no other. Find all the details on .



Sam Duerksen

About the Author: Sam Duerksen

Since moving to Victoria from Winnipeg in 2020, I含羞草研究社檝e worked in communications for non-profits and arts organizations.
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